Contents: Pierre Bertrand; Un Camion freine - Voiture de police - La musique passe. Sarkis; "Serenades opus 2" pour 12 kornemuses. A "ma memoire est ma patrie". Christian Boltanski; Reconstitution de chansons qui ont ete chantees a Christian Boltanski entre 1944 et 1946. Bertrand Lavier; Maduganda / Reine de musette. Daniel Buren; L'Indicible.

Cover: gatefold, three-color print, design; MINIMUM. 25 cm, 33 RPM, 1985, Association Francaise d'Action Artistique Paris. Included pamphlet, 16 pages(n.pag.), with illustrations and texts(Spanish, French, English) by Michel Nundsany about the artists. The record was produced on occasion of the Biennale in Sao Paulo(October,4 - December, 15 , 1985).

A phonograph record with no sound on it(1966). A prototype of Zen for Record was made with a blank record acquired at E.S.P. Disk Record while Ken Friedman worked there in September / October 1966. Variant versions were made with blank, empty record jacket. The piece is an oblique homage to Nam June Paik's Zen for Film.

Cover: two-color print. 30 cm, 33 RPM, 1987, Verlag der Buchhandlung Walther Konig. Koln.

Contents: Hans Weigand: Blue, Gudrun Bielz; Kid-Ding. Lisi + Rose Breuss: Ezechiei. Karl Kowanz: Beherztes Geschwatz. Tommy Schneider: Tausend X Taglich. Rupert Putz: Ai-No Korida. Inge Graf + ZYX: Automaten-Programm Tempo 127. Ebba Sinzinger + Anna Petschinka: Alle Niederreissen. Christina Brandauer + Ralph Ralph: Lektion 7. Helmut Rainer: Twang. Gary Texas: Black Helicopterlanding. Eva Schlegel: F-T(TV-Break). Romana Scheffknecht + Ecke Bonk: Proben fur ein Finale. Gunther Schrom: Schnucki Alpha Adaption?. Felix Dorner und Gaste: In den Rossbreiten.

Cover: three-color print, 30 cm, 33 RPM, 1984, Hochschule fur angewandte Kunst. Wien(Oberhuber / Kowanz). 15 sound-tracks for fifteen non-majorialized S-8 films + videos.

My intrest in sound began by using contact microphones to amplify objects. I made collages of these sounds with tape machines and used them in performances. I gradually developed an intrest in tonality, yet had no desire to play a traditional instrument. My previous background in sculpture and in performance art coelesced in the making of my own instruments...by Ellen Fullman.

Cover: b/w, design: Ton Homburg / Hans Arnold, 30 cm, 33 RPM, 1985, Het Apollohuis, Eindhoven, AR 118501. Perf: Ellen Fullman, Arnold Dreyblatt as guestperformer. Contents: Woven processional. Langzaam, Swingen, Memory of a big room(for Matthew). Dripping music.