This unusual set of visionary etudes, inspired by La Femme 100 Tetes, a book of collaged etchings assembled by the surrealist painter Max Ernst from their original sources in volumes of 19th Century picture storybook, and each given subtitles with hauntigly suggestive overtones, typifies Antheil's music during what the composer himself referred to as earlier "mechanistic" period(1922-1925)...

Cover: two-color print of an etching by Max Ernest from the folder La Femme 100 Tetes. 30 cm, 33 RPM, 1984, CRI SD 502. Perf: David Albee(p).

Contents: La nuit si calme et si transparente, Entre 4 etoiles, La montee au ciel, Mon coeur 2 ames, Deja le ble, Pleure son desespoir, Une etoile c'est le ciel.

Cover: multi-color print with photos, 30 cm, 33 RPM, n.d., D.M.A., Bordeaux, D.M.A. 006.

Contents: Plutot l'exil du cinq dore, Monde et chair, Les fours a chaux.

Cover: two-color print, 17 cm, 45 RPM, 1983, VITA NOVA, Grenoble, France.

Cover: b/w, 30 cm, 33 RPM, 1978, signed and numbered by both artists, heimproduktion, berlin-kreuzberg. Single for "die zwolischri't" No.8, special issue, "m.u.(z.i.e.k)", 1981, with the pieces Caprifischer, Bananen.

Music: a.o. Raimund, Bayer/Ruhm, Schubert, Lehar. Perf: Valie Export, Monsti Wiener, Michael Schwabe.

Contents: anfang, hab sonne im herzen, futi, wenn gott will, sahara, froh zu sein, salomon, wahre freundschaft, honolulu, hobellied, bananen, die btuse, guten sbend, my bonnie, am brunnen, alkohol, frere jacques, mullers lust, weana madln, immer nur lacheln, soldat am wolgastrand, schlucken.

Catalogue(for a record exhibition curated by Christian Marclay & Ursula Block) in the format of a box(18 x 18 x 1.5 cm) including 51 single sheets(with texts, statements of the artists) and 1 flexidisc, 17 cm, 33 RPM, with excerpts from exhibited records. Emily Harvey Gallery, New York 1988.