Cover: b/w, design: Colin Fallows according to a photo by Reg Cox. Included folder with photos and manifestos. 30cm, 33RPM, ARK, Liverpool, Dove 4.

Contents: Antonio Russolo: Corale and Serenata, 1921. Hugo Ball: Karawane, 1916:Wolken, 1916:Katzen und Pfauen, 1916:Totenklage, 1916:Gadji beri bimba, 1916:Seepferdchen und Flugfische, 1916. Arthur Honegger: Pacific 231, 1923. Tristan Tzara / Marcel Janco / Richard Huelsenbeck: L'amiral cherche une maison a louer, 1916. Kurt Schwitters: Simultangedicht kaa gee dee, 1919: WW, 1922: boo, 1926: naa, 1926: bii bull ree, 1936: Obervogelsang, 1946: Niesscherzo e Hustenscherzo, 1937: Cigarren, 1921: The real disuda of the nightmare, 1946. Raoul Hausmann: Soundrel, 1919. Giacomo Balla: Discussione sul futurismo di due critici sudanesi, 1914: Macchina Tipografica, 1914: Paesaggio + Temporale, 1914. Luigi Russolo: Verglio di una citta, 1914.

Ball, Tzara-Janco-Huelsenbeck, and Schwitters: Trio Exvoco(Hanna Aurbacher, Theophil Maier, and Ewald Liska). Balla: Luigi Pennone, Arrigo Lora-Totino, and Sergio Cena. Honegger:L'Orchestre de la Suisse Romande, Ernest Ansermet(cond).

Cover: box made of grey cardboard, sticker, b/w, with printed handwritten informations. 11LPs, 30cm, 33RPM, limited edition of 250, signed, Selbstverlag Hamburg, AM Burgberg. A second box (43.5 x 31.4 x 8.7cm) with same decor contains 415 score sheets (each 42 x 29.7cm), b/w.

Contents: Index Opus 1-6 b. Opus 1. Opus 2. Opus 3. Opus 4. Opus 5a. Opus 5b. Opus 6a. Opus 6b.

Sound: Peter Reitberger, Rima Lucia Mardoyan, Walter Thielsch, Thomas Fehlmann, Rainer Oehms, Holger Hiller, Angela Marcus, Karin, Insook, Oliver Hirschbiegel, Saskia Czchoch, Jurgen Heimes, Jelle Fargo, Katharina Baumann, Claus Bohmler, Andre Rademacher.

Cover: gatefold, white, each cover with an original Gouache, different colored and feltpen-drawings by various artists. Coordination: Walter Thielsch, Thomas Fehlmann. 2 LPs, 30cm, 33RPM, 1980/81/82, parts of the issue signed and numbered published by the artists.

The production originated during a workshop by Conrad Schnitzler in May 1980 at the Kunsthochschule Hamburg. With special thanks to Carl Vogel, K.P. Brehmer und Claus Bohmler. Photostat supplement with title informations.

Cover: padded mailing envelope (33 x 36.5cm), mounted postcard, b/w, with red lettering according to a photo by Ruy Bastos, 30cm, 33RPM, 1971, limited edition of 180, signed and numbered, Antonio Dias. Contents: The Theory of Counting. The Theory of Density.

The Space Between, an album published by Dias, is the recording of the intermittent, and then continuous, scansion of two sounds: an alarm clock and breathing. First the record has three seconds of silence, observing a preestablished pattern in order to stress the acoustic effect of the full and the empty, or sound and silence. In the second part attention is focused on the continuum of breathing with its natural drawing and expelling of breath, again positive and negative.