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B.M.A.R A07-31

Aspen Magazine / No.1 / 1965 US
Published by Roating Press Inc., New York. Phyllis Johnson, Editor and publisher. Each issue is of a different format and wasdesigned by a different artist. Various contributions exist, a.o. brochures, slips of paper and records.
No.1(1965) record-supplement (flexidisc, 17cm, 33RPM): The mellow sounds of traditional jazz St. James infirmary blues. The exploratory sounds of modern jazz Israel. (Bill Evans trio '65).
No.2(1966) designed by Frank Kirk. record-supplement (flexidisc, 20cm, 33RPM): Alexander Scriabin Tenth sonata.
B.M.A.R A07-32

Aspen Magazine / No.3 / 1966 US
Designed by Andy Warhol and David Dalton. record-supplement (flexidisc, 17cm, 33RPM): The Velvet Underground-Loop (John Cale), Peter Walker-White wind.
"Here it is - the Fab issue of Aspen, designed by Andy Warhol and David Dalton. An exploration of this productoriented Pop McLuhan world which has paradoxically produced a mass avant-garde movement among all ages, testing and discaring all the boundaries. As Bob Dylan put it, it doesn't have anything to do with chronological age at all, but who's alive and who's in suspended animation, who's still growing and who's given up and gone to sleep... "he not busy being born is busy dying.".
No.4(1967) The medium. designed by Quentin Fiore, recorded-supplement (flexidisc, 17cm, 33RPM): Gordon Mumma-Horn, Mario Davidovsky-in memoriam Edgard Varese.
No.5 + 6(1967) 'for Stephane Mallarme', guest editor-designer Brian O'Doherty: guest art directors David Dalton, Lynn Letterman, 5LPs as supplement (flexidisc, 20cm, 33 or 16 2/3RPM.
Samuel Beckett-text for Nothing No.8, read by Jack MacGowran. William Burroughs-Nova express, (excerpts), read by the author. Alain Robbe-Grillet-Now the shadow of the southwest column from jealousy, read by the author. John Cage-Fontana mix feed, realized by Max Neuhaus. Morton Feldman-The king of Denmark, Morton Feldman/Max Neuhaus, percussion. Merce Cunningham, Interview. Space, Time and Dance, read by the author. Marcel Duchamp-The creative act, read by the author. Some texts from a L'Infinitif, read by the author. Richard Huelsenbeck, for poems from Phantastische Gebete, read by the author. Naum Gabo/Norton Pevsner-The realistic manifesto, read by Gabo.
No.7(1969) designed by John Kosh, two records as supplement (flexidisc, 20cm, 33RPM): Yoko Ono-Songs for John. John Lennon-Radio play. Christopher Logue-reads new numbers. John Taverner-Three songs for surrealists. (Magritte, Ernst, Dali).
No.8(1970) Art/Information/Science, Dan Graham, guest editor:George Maciunas, guest editor. record-supplement (flexidisc, 20cm): La Monte Young-Drift study 31.1.69. (May be played at any constant speed from 16 2/3 to 78RPM). Jackson MacLow-Young turtle asymmetries.
No.9(1970) Dreamweapon. designed by Hetty MacLise. record-supplement (flexidisc, 20cm, 33RPM): Spontaneous sound. (played spontaneously by Christopher Tree on a collection of 150 instruments from many parts of the world). The joyous lake.
B.M.A.R A07-33

Atelier Kramer / Effekt ist Wirkung ohne Ursache / 1986 GER
Contents: Zusammenschnitt aus einem Referat fur das Internationale Kunstlergremium. b/w,17cm, 33RPM.
Printed as invitation for the exhibition. Das Atelier Kramer der Gesamthochschule Kassel zu Gast bei der Marielies Hess-Stiftung im Hause des Hessischen Rundfunks, Frankfurt.
B.M.A.R A07-34

Attersee, Christine Jones / Weihnacht zu zweit / 1983 GER
Contents:Das Christkind kommt. Du schau mich an. Klingeling am Butterbrot. Kein Wein, Kein Bier. Es wird schoglei du mpa. Side B Himmlische Ruh(blank). Perf: Christian Ludwig Attersee, Christine Jones(voc), Tommy Borocz(perc), Erwin Kienast(syn), Mischa Kraus(b), Hans Salomon(sax), Robert Schonherr, Peter Schrammel (keyboards), Peter Paul Skrepek (g, accordion, choir).
Cover: multi-color print, design:Attersee. 30cm, 33RPM, Yedermann Productions, Wien, No. 150142.
B.M.A.R A07-35

Attersee, Gerhard Ruhm / Klaviertreiben / GER
Contents: Schwarzer Peter, Halbe Gans. Rote Punkte. Tastenkinder. Weisszwang. Klaviertreiben. Blaue Punkte. Zebra. Perf: pianos played by Attersee and Ruhm. 30cm, 33RPM, n.d., limited edition of 400, Galerie Heike Curtze, Dusseldorf/Wien, No.001.
Cover: one-color print from a painting by Attersee. Documentation of a concert on the occasion of the opening of the Attersee-exhibition:Die Tischzarte. Galerie Heike Curtze, Dusseldorf, 4.12.1980.

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