Contents: Verwunderung. Beschworung. Reproduction of audible examples of touch- and Sound-Picture from the museum collection. Realization and recording by the artist.

Cover: b/w, photo of a Touch- and Sound-Picture.

Some generalizations: This record is not an art object. All the people on this record are artists. Many of the artists present themselves in a gallery situation: live in performance, electronically through installations. Often these situations are theatrical. None of the artists consider themselves actors. There is no proscenium. It is a floorshow. Most of the work in the anthology is musical. Like most of the music in the world it is predominantly vocal. You can dance to at least two of the selections. The artists combine the bravura and risk of the musician (filter) with the intellect and risk of the composer (source).

The concerns here are not the cocerns of painting. Sometimes there are references to art. Sometimes structure is the subject matter. Often the subject is the past, or more precisely personal observations on the events of the past, or more precisely, memory. The injection of the self into the past adds to a feeling of literary-ness.

As in opera, what we hear is influenced by what we see, how much of the story we know, and if we understand the language. As in any performance situation, the energy generated by the performance is more than, and perhaps more interesting than, the information presented. You had to be there often what is done is not repeated. This is a record. - B. George (covertext) -

Airwaves. Cover, right inner side

Contents: Vito Acconci:Ten packed minutes. Jana Haimsohn:Hav's lava flow. Terry Fox:The labyrinth scored for the purrs of 11 different cats. Julia Heyward:Mongolian face slap, Big coup (part one), Big coup (part two). Dennis Oppenheim:Broken record blues. Meredith Monk:Rally, Prosession. Diego Cortez:Arbiter, You pay. Jim Burton:High country helium. Leandro Katz:Animal hours. Connie Beckley:Triad triangle. Laurie Anderson:Two songs for tape bow violin (Ethics is the Esthetics of the few-tune >Lenin<, Song for Juanita, 1977), is Anybody home, 1976, It's not the bullet that kills you - it's the hole. Diego Cortez:Cataract monologue. Jacki Apple:Black holes/blue sky dreams. Richard Nonas:What do you know.

Cover: b/w, gatefold, text- and photodocumentation.

Perf: Albrecht d. (tabla, cymbal, stringinstruments), Bernd Jaiser (background vocal), Grit Backer (voc), Axel Knipschild (background music), Thomas Niggl (fl)

Cover: One-color print, part of the issue two-color print on grey cardboard

The concert took place on occasion of the exhibition Art into Society - Society into Art in the ICA London.

Special issue: Ich durchsuche Feldcharakter 99 copies, numbered and signed by both artists, two-color print with original photo mounted on cover.

Contens: Endless music goes ZEN. 1970-1985 fifteen years Albrecht/d. (Meetings with Bernd Jaiser, "die Stimme" Joseph Beuys, Frans Weyler, Cosey Fanni Tutti, Genesis P-Orridge, Chris Carter, Katerina Z., Angelika Schmidt, Volker Hamann, Marie Kawazu, Steffen Bremer und Franz Dreyer.)

Cover: One-color print, gatefold.

8-pages supplement with texts and photos of the various actions and performances. Side A is the recording of the solo-performance of Albrecht d. on Feb. 10, 1980, in the Akademie der Kunste, Berlin on the occasion of the exhibition Fur Augen und Ohren.